We have come to the metafictional stage of Dylan historiography—books not so much about the man as about his fans, his sources, his very relics. Kinney’s is fascinating, from his portrait of a pharmacist who has schemed to purchase not only Dylan’s childhood home but his high chair, to fans who somehow appear in the first row at every show. These are spooky sketches of a fringe culture in the twenty-first century, a world that could only exist because of Bob Dylan.
The Ballad of Bob Dylan - Daniel Mark Epstein
What’s worse, waking up an alcoholic or waking up as the editor of a Bob Dylan fanzine? . . . David Kinney’s The Dylanologists is the best book about music that has nothing to do with music. By holding a mirror up to the obsessives, the completists, the weirdos and the garbologists (those who literally go through Dylan’s bins looking for clues), Kinney provides the final word on the tragi-comedy of intense, unrelenting fandom . . . [and] reveals that Dylan himself is actually a red herring; what Dylanologists are actually after is a meaning in their own lives.
The book, a compelling study of Dylan’s most fervent and studious fans, is always lively and sometimes funny, but Kinney never finds humor at the expense of the obsessives he profiles. By presenting sympathetic, respectful portraits of people who were inspired by Dylan to write, read, travel, archive, and rethink their lives, Kinney gives us a new way to think about one of the most thought about men of the twentieth century. . . . What’s more exciting is the way The Dylanologists shifts the perspective of a well-known history: Kinney recounts an important artist’s excursions into electric guitar, Christianity and even Christmas carols not for the purpose of examining what these periods mean to Dylan’s life or artistry, but what they mean for the lives and artistry of the people who experienced them. By celebrating these merits—be they the ingenuity to cull incredible collections or the wherewithal to reinvent oneself—Kinney’s subjects prove themselves more creative than kooky.
The Dylanologists is a wonderful book—well written, insightful, and smartly reported. In chronicling Bob Dylan’s fans, David Kinney provides a clear-eyed portrait of the artist and the country that created him.
Luckiest Man - Jonathan Eig
Fascinating . . . Illuminating . . . Deeply reported.
Juicy . . . Artfully told . . . The Dylanologists is an often moving chronicle of the ecstasies and depravities of obsession.
[A] must-read book . . . While there are countless books about Bob Dylan’s life and music, Kinney approaches Dylan from a different angle—the followers, scholars and kooks.
By getting his subjects to talk about the moment, often years past, in which they were swayed by Dylan’s music, Kinney humanizes the archetype of the pop junkie. . . . Most of the fans that Kinney talks to aren’t fools or stalkers. They have simply developed an usually strong affinity for an artist and his music. . . . Kinney’s own fandom seems to have lapsed a bit into skepticism, yet he never mocks the continued devotion of those who still believe.
The New Yorker - Ian Crouch
In Kinney’s hands, what might have been a fans-only romp becomes instead a surprisingly touching mosaic of stories about the meanings that people (even Dylan himself) seek so energetically from art and artists.
Fascinating . . . Kinney’s tale of the peculiarly symbiotic triangle between Dylan obsessives, his music, and the inscrutable man himself poses some interesting conundrums. In one sense, the people who follow Their Bob around on tour, scrounge his unreleased studio recordings or buy the manger he was born in are like refugees from a Coen brothers reality show: ‘Inside the Hoarders of Highway 61.’ But there is also a tantalizing sense that Dylan, as hostile or plain indifferent to them as he might appear, has his reciprocal moments too.
The New York Times Book Review
Entertaining and well-written . . . The Dylanologists is as much a book about obsession—about the ways our fascinations manifest themselves, about how we cope with what we love but don’t quite understand—as it is a book about a musician and his nutty fans.
Entertaining . . . While there’s no shortage of Dylan biographies or analyses of his work, The Dylanologists offers an interesting examination of Dylan’s cultlike band of followers who seem to put their lives on hold while dedicating themselves to the performer and his music. Fans will certainly enjoy this book, but so, too, should readers who seek a fascinating examination of a strange subculture.
Juicy . . . Artfully told . . . The Dylanologists is an often moving chronicle of the ecstasies and depravities of obsession.
[A] must-read book . . . While there are countless books about Bob Dylan’s life and music, Kinney approaches Dylan from a different angle—the followers, scholars and kooks.
Entertaining . . . While there’s no shortage of Dylan biographies or analyses of his work, The Dylanologists offers an interesting examination of Dylan’s cultlike band of followers who seem to put their lives on hold while dedicating themselves to the performer and his music. Fans will certainly enjoy this book, but so, too, should readers who seek a fascinating examination of a strange subculture.
02/24/2014 Since he stumbled upon Dylan’s Biograph album as a teenager long after the album came out, Kinney has been consumed with the enigmatic bard from Hibbing, Minn. He eventually discovers he’s not alone in this fixation and uncovers an “entire nation of unreformed obsessives” like himself who are so fanatical about knowing more about Dylan that they collect bootleg tapes, travel on pilgrimages to Hibbing, and even dig through Dylan’s garbage in search of clues that will reveal his identity. In this unremarkable profile of a few of these Dylanologists, Kinney chronicles some of the reasons that they can’t get Dylan’s voice and music out of their heads, hearts, and homes. For example, Nina Goss and Charlie Haeussler make the pilgrimage to Hibbing to “see the coffee shop where he ate cherry pie with his girlfriend” and to get a feel for the small town that produced this genius. Alan Jules Weberman becomes famous for searching through Dylan’s garbage in search of signs that would help him understand the meaning of Dylan’s songs, eventually turning sour on Dylan. Michael Gray plumbs the depths of Dylan’s music in his own detailed book, Song and Dance Man III, as he illustrates the ways that Dylan weaves lines from blues songs into his own music. In the end, none of these die-hard fans comes closer to finding the real Dylan, but they discover over and over just why Dylan’s music means so much to them. (May)
Catching a fish off a Vineyard beach at Derby-time is about as much fun as you can have with waders on, and in The Big One David Kinney nails the chase and captures the thrill. His book is funny, brackish and moving. A keeper.”
senior writer, Sports Illustrated - Michael Bamberger
Fish fan or not, you will find the narratives and characters in The Big One rich and intriguing and weird and wonderful. A great read and a great tale.”
New York Times best-selling author of Rin Tin TIn - Susan Orlean
The Big One is a rollicking true story of a grand American obsession. You don’t have to be a fisherman to relish David Kinney’s marvelous account of the annual striper madness on Martha’s Vineyard, or his unforgettable portraits of the possessed. It’s a fine piece of journalism, rich with color and suspense.”
New York Times best-selling author of The Downhill Lie - Carl Hiaasen
Who knew a book about a fishing tournament could be so damn compelling?”
A rollicking account of the annual striped bass and bluefish derby on Martha’s Vineyard, spiked with the you-are-there view of the beauty, folly, and humanity of the participants. Kinney follows some of the most intriguing personalities, does a bit of fishing, and documents the at-times tricky relationship between the blue-collar derby participants and the well-to-do seasonal residents of the island.”
What Kinney uncovers in documenting this event is the deep cultural underbelly of a fishing society that few people on the outside will understand.
A roaring account … The Big One is a fun, two-fisted read. … I’ve fished the derby before and the excitement that surges through town is electric. Rumors, laughter and accusations fly. Kinney’s book captures these tales of chicanery, one-upsmanship and braggadocio, and just the overall weirdness.”
"In this lively book, Kinney combines a first-person account of a single derby with a history of the tournament itself (and it's distinctly checkered history, with allegations of corruption and conspiracy, not to mention a few notable fatalities). . . . Fans of you-are-there accounts of sporting competitions will definitely want to read this one."
2014-05-06 Perhaps the only thing more inscrutable than Bob Dylan is the cavalcade of misfits and muckrakers that parade through this earnest exploration of the artist's even more curious brand of devotees.Bob Zimmerman (b. 1941) started out his career as a rabid fan. So enamored was he of his boyhood idol Woody Guthrie that he tracked down the collapsing star all the way to his hospital bed, plying him for answers that the sick man could not possibly provide. Strange then, that so much of Dylan's remarkable career has been saddled with the same kind of futilely obsessive adulation. Pulitzer Prize-winning journalist Kinney (The Big One: An Island, an Obsession, and the Furious Pursuit of a Great Fish, 2009) mixes a lighthearted approach with the serious business of trying to figure out just what makes Dylan's legions of followers tick. All of the most outrageous characters are here: the searchers, the collectors, the tapers, the pilgrims and the many who are pissed off at the artist. Of the whole bunch, however, those who came to believe that Dylan had somehow double-crossed them over the years are the most confounding. Either owing to his evolution as an artist or as a person, the depth of betrayal that he has inadvertently incited in these people—sometimes by going electric, at other times going to church—is truly fascinating. Of course, the expert analysis of some of Dylan's most manic disciples can actually be yet another way of further scrutinizing one of the most already scrutinized figures in American music. Can even more be said about an avowed cypher by looking at the rather uncanny relationship with his fans? In this enjoyable book, longtime followers may be surprised to find out the answer is yes.Alternately funny, intriguing and shocking.