(*Below is my thank-you letter to the cast of Writing Excuses – a true source of writing inspiration, humor, and kinship of craft. If you want to be a writer, and have trouble with inspiration, please consider this cast.)
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Dan, Brandon, Mary, and Howard,
Thank you.
My name is Levi and I have been listening to Writing Excuses since its inception. Right from Season 1 all the way to now, I have loved spending this time with you. This is not to take up a lot of your time, but I wanted to thank you for the inspiration you have given me in my writing life.
I have been writing since 2008 after reading Paulo Coelho’s The Alchemist, believing that I could do the same (maybe not as well, of course, but similarly). That I could be a writer. I grew up enmeshed in epic fantasy and science-fiction, and wanted to create and exist in those same worlds in my writing as an adult.
But I didn’t know how or where to start.
So, I picked a direction, something. I would read interviews with several novelists who I had admired growing up, articles and tips online about how to dive in, and I sat in on a writing group in the local area. But it was when a friend recommended Writing Excuses that I found a new series of fires had lit within me. From one episode to the next, I found myself listening to them four, five, six at a time. At that time, you were already into Season 3 or so, which allowed me to download handfuls of previous episodes and binge-listen to my delight. I had them on my phone, twenty-some episodes all locked and loaded at a time. If I needed to pause, I could pause, and I would come back to it and pick up where I left off.
And as I listened, I learned. Character, setting, plot, structure, language, dialogue, and on and on. And the two best parts were that the show is relatable, and maintains its level of interest. Let’s be honest, when you talk about writing, you can either make it appealing or not. In this way, I have to thank you on how very low you keep the level of suck. You have humor, you have varying personalities, you’re all very accomplished and have loads of anecdotes of experience to share with us, and unlike many other authors, who may carry an air of conceit, you treat us in a way that not only shows that you know where we’re coming from and what we’re feeling as beginner/amateur writers, but (and most-importantly) that you believe in us and encourage us to dig, and push, and create.
Brandon, thank you. My brother and I are both writers and huge fans of the Wheel of Time. His background of sci-fi and fantasy is heavier than mine, and when he says that the Way of Kings is the finest fantasy series he’s ever read, that’s saying something. Your prolific output, dedication to the craft, and generous advice and demonstration on writing (Youtube, lectures, interviews) continually inspires me. We met in San Francisco when you were on tour with Harriet. Your advice to me was, “keep going.” Thank you.
Mary, thank you. It is because of your dedication to your craft, your investment of yourself, and your honesty with your encouragement and advice for the rest of us is very inspirational. You hand-write letters to your fans and it was through this way that we met once at Norwescon in Seattle and I was introduced to and read Shades of Milk and Honey. Thank for you continued inspiration.
Howard, thank you. Your humor on the cast is great. It is so very nice to have you process the craft for the rest of us as it relates through the lens of the graphic art. When I check in on your site and see that you still putting up new strips every single day, it is very inspiring for me. You bring an art and style to writing that many may overlook and I would like to thank you for not only the exposure of your style to the craft, but your input as a writer and a cartoonist to the topics of the cast. Thank you. I must say that it has been some time since we’ve heard you give us the exclamation of “luxury” in only the way you can.
Dan, thank you. It’s always inspirational to know of those who know what they want and just walk out and get it. As a horror writer, you bring something to the table that the rest of us need to hear. It’s so nice to hear your method of how you break down your ideas into a structure (and eventual final product) for a story which affects its audience. Your Seven-point plot structure is a beautiful tool for writers and I thank you, as I am considering using it in a current project of mine.
Each of you has inspired me as a writer and I very much appreciate
Which brings me to the reason I wanted to write this letter. The most recent episode on true confessions is the best I’ve ever heard. Maybe you thought it was mediocre or just something fun to do, but it was the most poignant and apropos message I’ve heard to date. I think it’s easy for beginning writers to think ideas such as, ‘no, this can’t be the way to do it,’ ‘no, it’s all wrong,’ or ‘no, I’m just repeating myself, I don’t have any chapters yet, this isn’t even what I wanted to write about…..’ and on and on. “Failure” after “failure” after “failure.” And this episode is one in which you tell us to our faces, “Actually, that’s totally normal…and look at all the times I screwed up.” I love the fact that Mary said that it’s not really failure, it’s just data. It’s said that Thomas Edison screwed up over 1,000 times (and I’m paraphrasing) before finally inventing the lightbulb. And when asked about all those times, he is famously quoted as having said, “I didn’t fail 1,000 times, I just found out 1,000 ways to not make a light bulb.”
Math is not my forte, but if we’ve been at this for 12 years (you as the hosts, and me as the listener), then we’ve hit somewhere around 625 episodes – ballpark. And this one, above all, was the most perfect of episodes. No guests needed, no special theme, no writing prompt, just sitting back and listing some of the epic screw-ups that you’ve had, and reminding us that (as Howard said, and again, I’m paraphrasing), it’s not that you fail; that’s going to happen. It’s what you do with that discovery. You can either quit, cry about it, moan, and consider a professionally lofty bridge, or get back up and go at it again. You’re either a writer, or your not. What a period to end the season with.
Thank you for the inspiration. I am looking forward to the upcoming season on character, and if I may, and because I’m into language, I’d like to learn about character and presence – basically, the about of presence a protagonist (or side character) can have and how you can keep a character’s presence from overwhelming the rest of the story (i.e. maintaining a balance of character presence).
Okay, enough from me. Thank you, thank you, thank you for your continued dedication to the craft we all love, and for helping us better ourselves in this venture. You do just by who you are.
And with that, although I am not quite out of appreciation, I am out of excuses. I’m off to write.
See you next year,
LP
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