Blade Runner: 2049

K and Joi

I just got back from the cinema having watched, in awe, Denis Villeneuve’s sequel to the 1982 original.

It is 2 hours 43 minutes long, which is great for viewers like me who want to be immersed in another persons creation. And speaking of creations, what are these ‘new’ Blade Runners and Replicants like? What does it mean to be human? What is it that makes you human; a soul? Why is it important to know these things – or is it?

Blade Runner: 2049, retains the Noir elements of the original

I cannot do the film justice. If you’re interested in reading a good review before you go to see it – and I do recommend you go and see it, especially if you were/are a fan of the original by Ridley Scott – read this review by Mark Kermode (my go-to guy for film critiques) –

https://www.theguardian.com/film/2017/oct/08/blade-runner-2049-review-a-future-classic

Muted colours, rain and massive advertising in Blade Runner: 2049, allowing the audience to ‘feel’ a connection to the original

I came away feeling nostalgic, melancholic, and delighted. A hard thing to do in today’s world of pile-em-high-sell-em-cheap movies. Blade Runner: 2049 is beautifully made, it’s visuals, auditory and story-line are in keeping with the original, and if Philip K Dick had been around to appreciate the first adaptation of his story, ‘Do Android’s Dream of Electric Sheep?’, I am sure he would give this one his thumbs up too.

Much of the film is visually bleak, the weather, the landscapes, the city, but it is a very human film I feel, about the nature of love and being. I believe this will be a classic of the future.

Ryan Gosling as K, following in the footsteps of Deckard

I will let you into a little secret – I almost cried…

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