On Finding Your Tribe

Edith here, north of Boston, a little too busy but soaking up fall sunshine and brilliant leaf colors.

We published authors often advise beginning writers to “find your tribe.” But what does that mean and why do we say it?

Here’s why I say it. Without the support from all kinds of writing organizations and groups, I know I would not be multi-published now. That kind of support, networking, and constant learning is a key to success. Of course we writers have to keep our butts in the chair and our fingers on the keyboard in order to finish the book, but beyond that? Hanging out with other writers (whether in person or virtually) is supremely important. Here’s my story.

When I first started writing fiction more than twenty years ago, I found a local critique group. I joined three other unpublished women in a carpool to author Susan Oleksiw‘s home several towns away, where we would read scenes we’d written and have her and each other critique it. I’d never taken a creative writing class (despite holding a PhD) and I learned so much about point of view, use of names, when to insert weather and when not to, as well as basic storytelling.

Some years later I discovered the New England Crime Bake, attended for the first time, and promptly  joined both Sisters in Crime National and the New England chapter, going to my first chapter meeting a month later in Kate Flora‘s living room. I met Sheila Connolly there, and others who are now luminaries in our chapter. I started taking SINCNE workshops, meeting Barb Ross at one, and Sherry Harris at a meeting she hosted on the local air force base. I met Julie Hennrikus and Jessie Crockett at SINCNE meetings, too. I joined the Guppies, a big online SINC chapter for the Great Unpublished, where we all share information and learn from each other (and they let the published among us stay on!).

Seascape 2009

After I finished my first novel, I dipped into the Guppies Agent Search subgroup and then the Small Press subgroup, finally finding a reputable small press. I joined a different critique group, the Monday Night Writers, and read nearly all the scenes from my first five or six manuscripts on years of Monday nights, learning all the way. I attended the Seascape weekend writing retreat with teachers Hallie Ephron, Roberta Isleib, and S.W. Hubbard. There I got to know Liz Mugavero, Ramona DeFelice Long, and Kim Gray for the first time. We all received coaching on various subparts of our manuscripts, were given time for revision, and cemented some lasting friendships. My first mystery, Speaking of Murder, was published with a small press exactly five years ago, written as Tace Baker.

After an agent came knocking at Sheila Connolly’s email door when she was President of SINCNE, and she sent his search for authors out to the membership, I hopped right on it. I signed on with him and put my Jane Hancock on a three-book contract with Kensington Publishing within a month’s time. We six Wicked Cozys all share that same agent, and we formed the core of the Wicked Cozy Authors blog a couple of years later, which of course is the best lifeboat tribe evah.

I started going to Bouchercon,  Left Coast Crime, and the California Crime Writers conference as well as my annual appearance at Malice Domestic. I snagged more contracts, wrote more books, and soon my short stories and novels were being nominated for Agatha and Macavity awards. Well-known authors agreed to blurb my books, including Hank Phillippi Ryan, Kate Flora, and Rhys Bowen.

Last week I returned from Bouchercon in Toronto where Louise Penny gave me a hug and signed her latest book for my Canadian sister. I soaked up wisdom and laughs from old friends and new and heard all kinds of kind words about my work from avid mystery fans.

Three stellar authors: Hank Phillippi Ryan, Louise Penny, and Rhys Bowen in Toronto

I’m part of the Newburyport Writers, a local writers’ group that crosses all genres and all kinds of fiction and nonfiction, but we gather for food and valuable information-sharing once a month. And a lovely cross-genre group of five of us toured local libraries for a couple of years and shared our widely varying paths to publication. We of the Nevertheless Writers are still friends and turn out for fun evenings like Witches Night Out!

Nevertheless Writers (from left) Nancy Crochiere, Susan Paradis, Holly Robinson, me, and Elizabeth Atkinson

And I also check in with Ramona DeFelice Long’s Sprint Club on Facebook every morning before seven. It’s a great start to the workday to know that writers scattered around the country are all sitting down for an hour of uninterrupted work just like I am.

NONE of my modest successes would have happened without these various members of my tribe. Not a bit of it. Well, maybe I would have stayed in my virtual garret, cranking out words. But they wouldn’t be very good ones, and I would have been their only reader. Now I’ve completed book #17 and have a half dozen more under contract. With actual fans out there!

Readers: Who is your tribe? Who do you turn to when you want to learn new things, need a professional shoulder to cry on, or have joyous craft news to share?

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