First Published: January 2013
Contents: Uncanny X-Men #273 (February 1991) to #280 (September 1991); Uncanny X-Men Annual #15 (1991); X-Men #1 (October 1991) to #3 (December 1991); X-Factor #69 (August 1991) and #70 (September 1991); X-Factor Annual #6 (1991); New Mutants Annual #7 (1991); and New Warriors Annual #1 (1991)
Key Creator Credits: Chris Claremont, Jim Lee, Fabian Nicieza, Peter David, Paul Smith, Andy Kubert, Tom Raney, Whilce Portacio, and others
Key First Appearances: Acolytes (Fabian Cortez, Delgado, Anne-Marie Cortez, Chrome)
Story Continues From: Essential X-Men Vol. 10
Overview: This is the end, beautiful friends! Over the last 15 years of reprinted stories, we have seen X-Men come and go from the mansion in Westchester, New York. We have buried teammates, and seen many resurrected, as well as welcome new heroes to the family. The villains have gotten deadlier, whether they are shooting lasers or leading congressional sub-committees. But the goal remains the same, to find a way for humans and mutants to live together in the same world. This is Essential X-Men Vol. 11.
This collection starts out with the crazy adventures we have come to expect from the X-Men. We get Rogue, Magneto, and Nick Fury heading to the Savage Land. We’ve got the rest of the X-Men heading to deep space to stop the War Skrulls. Seriously, we knew the Skrulls were war-inclined for years, but now these War Skrulls take it to a new level!
Next up is the summer crossover event that went between the Annuals – Uncanny X-Men, X-Factor, New Mutants, and New Warriors. A.I.M. is looking to resurrect Proteus, the mutant son of Moira MacTaggert. A rag-tag team of heroes (i.e., those not good enough to go on the mission into space) must ban together to stop A.I.M. and Proteus.
Upon their return to Earth, the X-Men find that the Shadow King, the ne’er-do-well that has been lurking around in their minds for years, has taken over all of the inhabitants of Muir Island. The X-Men give their all to stop the Shadow King, with Xavier making a final stand with his son Legion in a coma.
The book concludes with the first three issues of the adjectiveless X-Men title. With Jim Lee on art and with the benefit of five different covers, Chris Claremont pens the best-selling comic book in the modern era. Really, after all the ups and downs of the past 15 years, Claremont is bringing things back to how he found them when he first took over the X-Men scripting duties. The original X-Men have returned to the team, the mansion has been rebuilt (AGAIN!) and Magneto has returned to his evil ways. It’s been often said that a comic book writer should leave the title as they found it. Claremont found a way to make things right as he left the mansion…. for now.
What makes this Essential?: This is a great way to wrap up Chris Claremont’s 17-year run with the Marvel mutants. Picking up from their introduction in Giant-Size X-Men #1 back in 1975, Claremont helped turn around the X-Men from a doormat title into one of Marvel’s most important (and most profitable) franchises of all time.
By the time this Essential comes to an end, Claremont is ready to step away from the mutant books. Under his guidance, he turned the Uncanny X-Men comic around from a bi-monthly title into two different ongoing monthly titles, along with multiple spin-off titles (New Mutants/X-Force, X-Factor, Excalibur, Wolverine, and others). A new generation of comic book creators, who grew up reading Claremont’s books, were in place ready to take over the reigns of the books.
Footnotes: Uncanny X-Men #280, Uncanny X-Men Annual #15, and X-Factor #69 and #70 are also reprinted in Essential X-Factor Vol. 5.
If you like this volume, try: the Comic Geek Speak podcast look at the X-Men in the Chromium Age. Yes, I am part of my own podcast (Worst. Comic. Podcast. EVER!) and would love for you to check it out and follow me there. But the guys over at CGS have been doing the podcast thing for over 10 years now. They know what they are doing, and they do it well. CGS has been doing detailed looks at titles or characters over a period of time, such as the X-Men. With the podcast referenced above, they take a detailed look at the X-Men in the early 1990s. There is so much information in these podcasts. Bookmark their website and use it as a reference like I do.
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