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The Secret History Of Fantasy (2010)

by Peter S. Beagle(Favorite Author)

3.84 of 5 Votes: 1

ISBN

1892391996 (ISBN13: 9781892391995)

languge

English

genre

Fantasy

publisher

Tachyon Publications

review 1: Although I understand the frustration of writers tired of being marginalized, it's difficult to talk about without sounding whiny. Ursula LeGuin manages; Beagle, not so much. But none of that takes away from the fact that this is a stellar anthology whose lineup of participating authors should open a few eyes regarding “fantasy literature.” Particular favorites include Steven Millhauser's “The Barnum Museum,” “The Empire of Ice Cream” by Jeffrey Ford, Octavia E. Butler's “The Book of Martha,” and “26 Monkeys, Also the Abyss” by Kij Johnson.
review 2: Amazing fantasy stories that break the stereotype of what "fantasy" is. Contains an interesting discussion of the topic by Ursula Le Guin, which provided me with insight on the development of th... moree "fantasy" field and subsequent dividing of genre fiction. Enjoyed "Ancestor Money" by Maureen McHugh. Admired the cleverness of Gregory Maguire's "Scarecrow," yet another take on the "Wizard of Oz" with some existential philosophy. Patricia McKillip was vaguely haunting in "Lady of the Skulls." I admired "We are Norsemen" by T.C. Boyle and Neil Gaiman's "Snow, Glass, Apples," but it was an uncomfortable story. Steven Millhauser's "The Barnum Museum" was one of my favorites, with very lyrical prose. Steven King's "Mrs. Todd's Shortcut" was clever and wistful. Terry Bisson's "Bears Discover Fire" was an unusual take on modern urban fantasy. Aimee Bender's "Fruit and Words" had an imaginative basis, but was uncomfortable. Jeffrey Ford's "The Empire of Ice Cream" had an astounding concept of alternate reality with a twist ending. Sad more than horrorful. I enjoyed Micheal Swanwick's "The Edge of the World" a great deal, and will look for more from him, likewise Kij Johnson's "26 Monkeys, Also the Abyss." Peter Beagle's contribution was lyrical, beautiful, and wistful. I could live without Yann Martel's "The Vita Aeterna Mirror Company" just because it's format was so off-putting. Johnathan Lethem's "Super Goat Man" took far too much space for its concept, and left me with an uncomfortable taste in my mouth. But the majority of contributions were very original and beautifully written. less

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